Wednesday, October 1, 2014
The Walking Dead and their weird Death Fetish
THE WALKING DEAD is a show that really benefits from binge viewing, a quick two or three day blast dedicated to just barreling through to the end. That's the way I've watched each season, and I'm pretty sure I would never have maintained interest in it if I'd watched an episode a week. Luckily for me, I don't have/want/need cable, so it's an entirely Netflix streaming experience for me.
I'm one of those infuriating WALKING DEAD viewers who bitches and moans about the show and yet anxiously awaits each new season. Sorry. I know I'm wrong to do that.
But the thing is, the show is so... frustrating sometimes. Uneven. The first season was amazing and fresh, but the beginning of the second just dragged on and on, even watching it over a couple of days. And the second half of the third season, same deal. The show has always seemed to have trouble finding its pace, figuring out where it wanted to go and how it wanted to get there. It's difficult to balance great character moments with scary action, and even the most die-hard WD fan will probably admit the show hasn't always been successful in that regard.
When the show is good, though, it is very good indeed. There are some characters who I've grown very emotionally invested in, whether I like it or not. And the moments of action usually pay off very well, even if they come sporadically.
I'm happy to say, though, that I was really pleased with season four. They seem to have finally found that balance between character and action they've been striving for. It was the most enjoyable season since the first.
I'm not going to worry about spoilers here, since I assume that most WD fans are already caught up. So if you're concerned about reveals, maybe you should stop reading. I don't know, it's up to you.
Season four succeeded for many noteworthy reasons-- one, as I said, the pacing was as close to perfect as they've been so far. In 16 episodes, a LOT happened. The survivors lost their sanctuary in the prison when the Governor returned. We got an excellent pay-off to wrap up the Gov's story (and those three flashback episodes dealing with his adventures post-Woodbury were terrific). As walkers descended on the prison, the survivors were forced to flee, and the tight-knit group were scattered, none knowing the fate of the others.
It was an inspired idea, separating the group. It gave the writers amble opportunity to focus on each of them and tell stories that highlighted each of their strengths and flaws. It also gave us a chance to get to know some of the newer characters.
One aspect that really works this season is the new diversity of our heroes-- for the first time, WD has several significant black characters: not just Michonne, but Tyreese, Sasha, and new addition Bob. Each of them has their own deal and their own focus, which is worth mentioning because, previously, we had only T-Dog... remember him? Maybe not, because in the first two and a half seasons T-Dog just sort of hung around and never did anything worth mentioning. He never got a back-story, was never the focus of anything. When he died, it didn't even feel like an important moment, did it?
Also: the female characters REALLY shined in season four. I mean, they were all terrific and the writers did an excellent job with them. Carole really came into her own as a strong but flawed human being, making insanely difficult decisions and living with the consequences. Maggie kicked ass. Michonne, of course, got fleshed out a bit more and opened up. Finally, Beth got serious screen-time and proved that she deserves to be listed in the opening credits. And new addition Tara, the sole survivor of the Governor's group, had value right away (also worth noting, Tara is, as far as I can remember, WD's first gay character, another stride forward in diversity). Remember when the show had, basically, two female leads and both of them were irritating as hell and seriously under-developed? Lori and Andrea never worked for me, because they both seemed like an immature boy's idea of what women would act like during the zombie plague.
Speaking of Lori and Andrea, that brings me to what I've always considered the biggest problem with WD, and how I think they've addressed it somewhat in season four.
Death has long been a gimmick on WALKING DEAD. A plot point designed to shock you, even if it isn't satisfying from a story point of view. It's a weird kind of death fetish, substituting actual drama for shock. Yes, I understand that, if a zombie plague really happened, people we love would die. I get that. But you know... this is a story. And in a story, you need to rely on something more than "Who's going to die this season??" The writers (influenced, I'm sure, by Robert Kirkman) have focused on that, to the detriment of good story-telling. For the writers, with a gleeful glimmer in their eyes, to tease viewers with POTENTIAL CHARACTER DEATHS!! all the time is just sloppy and lazy and a cheap way to keep people watching. In season three, so many main characters died that my reaction when all was said and done was a combination of depression and antipathy. I didn't care anymore, and I wound up distancing myself emotionally. Too often, a character death signified nothing except... well, another dead character.
Season four proves my point, I think. It's the best season since the first, and guess what? Only ONE major character dies. Just one (note that by "major character", I mean someone who has been on the show for two or more seasons). And his death was a shocker. It was emotionally devastating and signified a HUGE moment on the show and what happens next. It didn't feel gratuitous. It felt like: nothing will ever be the same now. It pushed the story forward.
That's how you do a character death. You give it meaning. You don't make it yet another useless death that does nothing to advance the story.
One death, and the best season yet.
Finally, and in relation to that, I just want to say that if they kill off Glenn (which there have been some hints about upcoming in season five) I'll be done with the show. This isn't just a pissy comment-- I consider Glenn essential to the show's success. Rick is, of course, the head of the show, and by extension Carl; Darryl is a fan favorite, so killing him off would be idiotic, unless they wanted to lose HALF their viewers; but Glenn is the HEART of that show and always has been. He's the glue that holds everything together on an emotional level.
I just hope the show runners realize that.